"Ballroom reminds the city whose shoulders the movement stands on—and whose safety still hangs in the balance.”
For Milwaukee artist Robyn Balmain, ballroom is more than a runway—it is the ground on which confidence, community, and culture are built.
A vocalist by training and a vogue performer by calling, Robyn carries multiple creative identities with the same poise they bring to the floor.
“For a long time,” they recall, “I felt like I wasn’t pretty enough or worthy enough."
"Ballroom gave me the notion that I could conquer this, conquer that—conquer anything.”
Finding home in the House
Robyn’s first love was singing.
As a student at Milwaukee High School of the Arts, they majored in voice before adding dance to their résumé. The pivot proved to be predestined.
Introduced to ballroom by friend Rocky LaBeija, Robyn spent late-night hours mesmerized by icons such as Leiomy Maldonado, Tamara Rinaldo, and Kevin JZ Prodigy.
“I was hooked from that day on,” they laugh.
“It looked like a place where someone like me—a Black, plus-size young man—could dominate.”
That revelation led Robyn to the House of Balmain, the family they now represent across the Midwest.
“Ballroom is first family before it’s competition,” they explain.
“For people in our QPOC communities who face homelessness or rejection, a house can be a safe haven—a place to get a meal, a couch, a mentor, even a little cash if you’re short.”
Building safety and swagger for QPOC Milwaukee
Milwaukee’s ballroom scene may be younger than those in New York or Chicago, but its impact is profound.
Houses provide structured mentorship: veteran “Mothers” and “Fathers” teach runway technique, yes, but they also guide members through job hunts, college applications, hormone-replacement questions, and heartbreak.
The result is a culture of mutual aid that fills gaps mainstream institutions often ignore.
“Our pride events have historically catered to one demographic,” Robyn notes.
“Yet queer people of color have always been the driving force of LGBTQ rights."
"Highlighting ballroom during Pride Month is a way to remind the city whose shoulders the movement stands on—and whose safety still hangs in the balance.”
Pride, visibility, and the fight against erasure
Robyn sees pride as a teachable moment.
“Ballroom is inherently queer—you can’t get more queer than ballroom. Showcasing it dismantles the idea that queer culture is monolithic or all about partying."
"It’s rooted in systemic struggles we’re still fighting to break.”
At the same time, they are wary of appropriation.
“Sometimes I think it should stay hidden,” they admit.
“When mainstream audiences cherry-pick our lingo and leave the labor, it hurts. But the benefits of visibility—resources, respect, representation—are too crucial to pass up.”
Looking ahead: decency, order, and dollar-busting dreams
If Robyn has their way, the future of Milwaukee ballroom is bright—and well organized.
“We do things in decency and order,” they say with pride.
Tight production values and reliable payouts have made the city a must-stop on the Midwest ballroom circuit. Sponsors are taking note, and budding performers from outside Wisconsin now travel north to compete for trophies—and cash.
Milwaukee’s calling card, Robyn believes, is follow-through.
“When you come here, you know you’ll get your money and the ball will end on time,” they grin. “We get things done.”
Balancing dreams: the singer and the voguers
Off the floor, Robyn is recommitting to music.
“I’m navigating my personal life and ballroom life,” they say. “Singing is my first passion, and I want to cultivate that while remaining rooted in the scene that gave me courage.”
It’s a balancing act familiar to many ballroom artists who juggle day jobs, creative pursuits, and community obligations.
A message to the world
Asked for one takeaway about Milwaukee ballroom, Robyn is succinct:
“Respect us.”
Respect the craft, the discipline, the mutual aid, the Black and Latinx queer elders who seeded the culture. Respect the heavyset kid who found a runway when the world offered ridicule. Respect the house system that still keeps lights on and spirits high.
Ballroom, after all, is more than an art form; it’s an affirmation.
And in Robyn Balmain’s Milwaukee, that affirmation struts, dips, and spins with unstoppable grace—inviting anyone who needs a family to step into the light and learn, at last, how it feels to conquer.
Note: this story will also appear in the July/August Pride in Color issue of Our Lives Magazine.
The concept for this web site was envisioned by Don Schwamb in 2003. Over the next 15 years, he was the sole researcher, programmer and primary contributor.
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The concept for this web site was envisioned by Don Schwamb in 2003, and over the next 15 years, he was the sole researcher, programmer and primary contributor, bearing all costs for hosting the web site personally.
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